Exploring Vintage Optical Media: A Journey Through Japanese Archives

2025-04-02
ℹ️Note on the source

This blog post was automatically generated (and translated). It is based on the following original, which I selected for publication on this blog:

Optical Discs From Japan – Part 6: TDK UV Guard, Fuji, LG/Sony, Maxell, CMC | Gough’s Tech Zone
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Exploring Vintage Optical Media: A Journey Through Japanese Archives

The quest for vintage technology can lead to unexpected discoveries. A recent exploration into the realm of optical media sourced from Japan has uncovered unique insights into CD-R and DVD technologies of the past. This journey reveals not only the evolution of these storage formats but also the nuances in manufacturing quality and regional market differences.

TDK UV Guard DVD+R: The Carbide Series

One notable find is the TDK UV Guard DVD+R, a product from a time when TDK manufactured its own discs. Unlike contemporary TDK media, which is often rebadged from other manufacturers, these discs feature a diamond-like carbon hard coating. This UV guard coating was designed to improve longevity by reducing PI error rates upon exposure. The packaging includes graphs illustrating the UV guard coating improves longevity.

Analysis reveals that the TDK UV Guard discs exhibit reduced transmission of wavelengths shorter than 500nm, indicating the UV-guard is effective. This feature would not interfere with ordinary operations, as DVD lasers operate around 650nm.

Unique Disc Identifier : [DVD+R:TDK-001-000]
Manufacturer Name : [TDK Corp.]
Manufacturer ID : [TDK]
Media Type ID : [001]

LG Super Multi Versatile Drive! 8x DVD+R

Branded with LG's SuperMulti drive logo, these discs were unexpectedly manufactured by Sony. Identified by the media code SONY-D11-000, this find highlights the complex relationships within the optical media industry.

Unique Disc Identifier : [DVD+R:SONY-D11-000]
Manufacturer Name : [Sony Recording Media Co.]
Manufacturer ID : [SONY]
Media Type ID : [D11]

Despite their promotional origins, quality scans revealed excellent error levels, underscoring that these promotional items did not compromise on performance.

Maxell 8x DVD-R with CPRM

Maxell, once synonymous with quality, has shifted its optical media production to other manufacturers. This particular disc, Made in Taiwan, is CPRM compliant, a copy protection standard prevalent in Japan.

Unique Disc Identifier : [DVD-R:MXL RG03]
Manufacturer Name : [Hitachi Maxell Ltd.]
Manufacturer ID : [MXL RG03]

CMC Magnetics Mr. Data 4x DVD-R

Representing a more budget-friendly option, the Mr. Data DVD-Rs are manufactured by CMC Magnetics. Testing revealed that these discs, despite being rated for 4x speed, performed surprisingly well at higher speeds, though some inconsistencies were noted during write tests.

Unique Disc Identifier : [DVD-R:CMC MAG. AF1]
Manufacturer Name : [CMC Magnetics Corp.]
Manufacturer ID : [CMC MAG. AF1]

Maxell 12x Master Quality 650MB CD-R

A look into CD-R media reveals a Maxell 12x disc, a product from the late 90s made in Japan. The disc features a blue-green aqua dye, a stark contrast to the phthalocyanine discs that dominated the market later on.

ATIP Information:
Disc ID: 97m25s23f
Manufacturer: Hitachi Maxell

Unfortunately, attempts to burn the disc resulted in failure, possibly due to media degradation or incompatibility with modern burners.

Fujifilm 12x CD-R

In contrast to the Maxell failure, a Fujifilm 12x CD-R, also made in Japan, demonstrated excellent performance. The disc features a bright emerald green dye, indicative of traditional cyanine color.

ATIP Information:
Disc ID: 97m26s40f
Manufacturer: FUJI Photo Film Co.

Quality scans confirmed that the disc remained in good condition, even after decades of storage.

Conclusion

This exploration into vintage optical media provides a glimpse into the past, revealing the evolution of CD-R and DVD technology. From unique protective coatings to manufacturing origins, each disc tells a story about the technology and market forces that shaped the optical media landscape. It also raises questions about the longevity and reliability of archival media. How well will these formats hold up over time, and what steps can be taken to ensure data preservation for future generations?


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